Crystal Pite, the internationally acclaimed Canadian choreographer, talks about the processes and emotions that come together in her extraordinary work. Betroffenheit is Crystal Pite’s current favourite among the 40+ works she’s created over the past 25 years. It is…
Does gender, rather than talent, determine which choreographers get commissions? We report on the state of an increasingly heated debate. Towards the end of…
Maina Gielgud talks about her career, a gift from Maurice Béjart, and ballet’s need to rediscover the joy of movement Few dance careers can have been more diverse than that of British ballerina Maina Gielgud. Ballet de Roland Petit… Sadler’s…
Christopher Hampson, Artistic Director and Chief Executive Officer of Scottish Ballet, shares his ambitious plans for Scotland’s premier ballet company. A mere glance at Scottish…
Royal Ballet graduate Daniel Mulligan writes about his life as a dancer in Ballett Zurich in Switzerland’s most glamorous city. I spent two years in the Junior Company and was lucky enough to stay with the main company…